the_brow wrote:
I got a Mad Professor Forest Green Compressor recently and it does the trick. It was around $150 i think. Really quiet, can go from mild to super squashed compression. Doesn't kill your tone either.
Good call. The Forest Green is definetely one of the best out there--it seems to bring out harmonics and colors the signal a bit, but in a really good way. It's a fuck of a lot better than paying the insane price for the BJFE Pine Green--the Pine Green is slightly better, but i'm not sure if it's THAT much better to the point where the Pine Green would be worth the difference in $$$.
Dyna Comp is a really good compressor, if you're on a budget.
The Ibanez CP10 is a great unit that's in the vintage range now, and can be found for a good (sub $100) price, most often, and you won't have tons of competition in fighting off people in the used ads and/ or on EBay.
If cash isn't that much of an issue, but you're willing to shell out for top of the line stuff, i'd go with the Maxon CP-9--it's about as transparent as you can get. The first time i'd played it, I had something dialed in mildly on the settings and couldn't even tell that the unit was on. On the 1/1-1.5 compression ratios, it's more of a limiter, and is great if you need a limiter (something that squashes the highest peaks of the signal) instead of a compressor (something that brings up all the lowest parts of the signal, including noise, hum and hiss). It apparently has a DBX circuit in it, and i'm thinking that it could almost be used as a pro audio (recording) compressor. Haven't tried it in that application, but I don't see why it wouldn't excel at that, too. The CP-9 adds pretty much zero noise to the signal. But it will pretty much leave you with zero money in the bank, ha ha.